CISAC
The International Confederation of Societies of Authors and Composers — the international umbrella body for CMOs worldwide. CISAC sets standards for work registration (including CWR), administers CIS-Net, and promotes best practices in copyright management.
Articles about CISAC
Music Publishing Administrator vs Full Publisher: Which Is Right for You?
Music publishing administrator vs publisher is the core decision that determines whether you keep copyright and pay an admin fee or trade a publisher share for advances, active exploitation, and broader pitching. This article breaks down the legal differences, typical fees and splits, who collects which royalties, and the contract red flags to watch so you can choose based on catalog size, career stage, and income goals.
ASCAP vs BMI vs SESAC: Which PRO Should You Join?
Choosing the right PRO can change how much you earn from performances and how reliably you collect international and streaming royalties. In this ASCAP vs BMI vs SESAC comparison we break down membership rules, payout mechanics, switching logistics, and what each organization actually collects so you can pick the one that fits your career.
Music Royalty Auditing: The Complete Guide to Finding Lost Earnings
If you suspect streams and performances are producing less cash than they should, royalty auditing music is the process that finds the gaps and turns them into recoverable earnings. This guide provides a practical, step-by-step workflow: what data to collect, how to reconcile DSP, distributor and PRO statements, common metadata failures to watch for, and the claim evidence you will need to recover funds.
How an Independent Songwriter Recovered $12,000 in Unclaimed Publishing Royalties
This music publishing company case study shows how an independent songwriter recovered $12,000 in unclaimed publishing royalties after a nine month audit and claims process. You will get a step by step playbook: how the audit uncovered unmatched mechanical and foreign distributions, which documents proved authorship, and exactly how claims were filed with The MLC, SoundExchange, and overseas collecting societies.
Neighbouring Rights FAQ: What They Are, Who Qualifies and How to Claim Them
This neighbouring rights FAQ explains what neighbouring rights are, how they differ from composition copyright, who typically qualifies as a performer or phonogram producer, and which uses generate payable royalties. You will get short, AI-friendly answers and practical next steps, including a document checklist, territory notes for the UK, EU, US, Canada and Australia, and the collecting societies to contact so you can register or file a claim.
How a Session Musician Started Earning Neighbouring Rights Royalties They Never Knew Existed
When UniteSync audited session credits for Anonymized Client Alex Reed they uncovered neighbouring rights royalties across multiple territories the musician did not know existed. This neighbouring rights case study shows how we identified eligible recordings, compiled session logs, ISRCs and public credit links, registered claims with societies such as PPL and Adami, and recovered anonymized back payments plus ongoing monthly distributions.
From Unsigned to Fully Administered: One Artist's Music Publishing Journey
Independent artists routinely leave publishing revenue on the table because of messy metadata, unregistered splits, and stalled claims. This music publishing admin case study follows one solo artist who moved from ad hoc rights management to fully administered publishing with UniteSync , and it lays out the steps, timeline, and anonymized results.
How Registering With the Right Collection Society Changed One Artist's Income
This collection society case study follows one independent artist who turned fragmented royalty receipts into steady income after registering with the right collection society and securing proper international representation. Using anonymized UniteSync data we present exact before-and-after numbers, the operational steps taken - from metadata cleanup and ISRC correction to reciprocal claims - and the realistic timelines and pitfalls small island and emerging-market artists should expect.
Music Metadata Standards: Essential Information for Rights Management and Royalty Payments
Missing or incorrect metadata is the single biggest operational cause of unpaid royalties, and music metadata standards are the practical rules that prevent those losses by defining identifiers, fields, and delivery flows. This article unpacks the identifiers and formats you actually need to manage rights and payments — ISRC, ISWC, GRid, IPI, UPC, DDEX ERN and RIN, in-file tags and society feeds — and shows how to validate, map, and remediate metadata in real ingestion and reconciliation pipelines.