SOCAN
Society of Composers, Authors and Music Publishers of Canada — the Canadian CMO that collects and distributes performance royalties for musical compositions. SOCAN also handles digital mechanical royalties through its Re:Sound and SODRAC affiliations.
Articles about SOCAN

Every Way to Earn Music Royalties as an Independent Artist
As an independent artist, understanding the different ways to earn music royalties separates missed income from real revenue. This checklist walks through eight distinct royalty streams, who collects them, realistic earning examples, and three concrete steps to start collecting each one, with international registration tips and services to compare.

All the Income Streams a Music Publisher Can Unlock for You
Music publishing income streams are messy and fragmented, and most independent songwriters only access a fraction of what they are owed. This list breaks down the seven income types a publisher can unlock, names who collects each payment, gives concrete examples, and leaves you with practical next steps to start claiming royalties.

Your Music Is Being Used Without Permission — Here's What to Do About It
If you have discovered your recording or song being used without permission, you are facing music copyright infringement problems that demand practical, immediate action. This guide walks you through what to do first: preserve evidence, identify which right is being violated, and stop the use on each platform, then how to recover revenue and prevent repeat misuse.

Why Your Music Distribution Royalties Don't Match Your Streams
If your streams look healthy but the money never arrives, you are facing music distribution royalties not paid, a common and solvable problem for independent artists and small labels. This article explains why stream counts do not equal payable royalties, offers a practical step-by-step audit you can run in Spotify for Artists, Apple Music for Artists and your distributor dashboard, and shows who to contact and how to recover unpaid royalties.

Best Performing Rights Organizations for Independent Artists
Choosing the best PRO for independent artists can be the difference between getting paid for performances and leaving money uncollected. This list compares the top PROs and complementary collection services across territory, membership rules, payout cadence, international reach, and practical strengths so you can pick the right fit and recover royalties you might be missing.

The Top Collection Societies Every International Artist Should Know About
Releasing music globally means plays and broadcasts get logged in dozens of territories — and most creators leave money on the table by not registering with the right collecting bodies. This guide lists the music royalty collection societies worldwide that matter, explains what each actually collects, who should register, and gives practical next steps to claim royalties across borders.

10 Music Copyright Tips Every Songwriter Should Follow
Most independent songwriters lose income to registration mistakes, messy metadata, and unclear splits. These music copyright tips give ten practical, legally grounded steps to secure your compositions, maximize royalty collection, and stop avoidable revenue leakage.

The Most Expensive Music Publishing Mistakes Independent Artists Make
Independent artists routinely leak thousands in royalties through predictable music publishing mistakes that rarely show up on royalty dashboards. This post pinpoints the seven costliest errors, quantifies typical revenue impact, and gives step-by-step fixes with the exact organizations and forms to use - from BMI and The MLC to SoundExchange and major international CMOs - so you can recover missed income and stop future losses.

How to Register Your Songs With a Performing Rights Organization Step by Step
Knowing how to register songs with a PRO is the single most effective step an independent writer can take to start collecting public performance royalties . This concise, step-by-step guide shows exactly what metadata to gather, how to set writer and publisher splits, when to register recordings with SoundExchange or neighbor rights societies, and how to verify and correct registrations so you do not lose revenue.