SGAE
Sociedad General de Autores y Editores — the Spanish CMO responsible for collecting and distributing performance, mechanical, and other rights royalties. SGAE is one of the largest CMOs in the Spanish-speaking world and administers rights in Spain with reciprocal coverage internationally.
Artículos sobre SGAE
Songtrust: Business and Technology Partner to the Creative Community — How to use it for music publishing administration
Songtrust: Business and Technology Partner to the Creative Community provides global music publishing administration for independent songwriters and composers. This guide covers account setup, catalog registration, royalty collection from CMOs worldwide, and when Songtrust makes sense for your publishing rights.
Regalías Mecanicas vs Ejecucion Publica: cómo cobrar ambas correctamente
Las regalías mecánicas y de ejecución pública son flujos de ingresos separados que requieren infraestructura de recaudación diferente. Entender Regalías Mecanicas vs Ejecucion Publica es fundamental para compositores independientes que gestionan sus propios catálogos.
Territory Collection Societies: A Global Guide to PROs and CMOs Worldwide
Territory collection societies form the patchwork of national and regional organizations that collect and distribute music royalties, and knowing who collects which rights in which markets is the practical difference between missing revenue and timely payments. This guide maps PROs, CMOs, neighboring rights and master rights collectors by territory, provides registration and metadata checklists for priority markets, and gives step-by-step troubleshooting and prioritization advice publishers, labels and sync teams can use to recover royalties faster.
How Performance Royalties Work: A Deep Dive for Independent Artists
Performance royalties explained - a practical FAQ for independent artists who want to stop leaving money on the table. This guide lays out who gets paid for compositions versus recordings, which collecting societies handle each right, and the exact registration and metadata steps (ISWC, ISRC, IPI) you need to ensure plays are matched and paid.
The Most Expensive Music Publishing Mistakes Independent Artists Make
Independent artists routinely leak thousands in royalties through predictable music publishing mistakes that rarely show up on royalty dashboards. This post pinpoints the seven costliest errors, quantifies typical revenue impact, and gives step-by-step fixes with the exact organizations and forms to use - from BMI and The MLC to SoundExchange and major international CMOs - so you can recover missed income and stop future losses.
DistroKid vs TuneCore Publishing Administration: Which Pays More?
DistroKid vs TuneCore publishing is the question every independent songwriter asks when deciding how to collect the publisher share of their royalties. This article compares each service using published commission rates, fee models, territory coverage, and reporting differences so you can see which one delivers higher net payouts in realistic scenarios.
Publishing Royalties FAQ: Everything Independent Artists Ask Most
This publishing royalties FAQ answers the questions independent artists ask most about who gets paid, how payments flow, and what to do when royalties go missing. You will get clear definitions of performance, mechanical, sync, and neighboring rights, practical steps to register works and set splits, and straightforward guidance on when to self-manage versus use an administrator like UniteSync .
Collection Societies Explained: How They Work and Why Every Artist Needs One
For creators, collection societies music and performing rights organizations are the plumbing that converts plays, broadcasts and streams into actual payments. This guide maps which rights each society collects, the exact registrations and identifiers you must fix to stop royalty leakage, and practical next steps - including when to run an audit or bring in a recovery service - so you get paid what you earned.
The Mechanical Licensing Collective (MLC) and Streaming Royalties for Songwriters
The Mechanical Licensing Collective (MLC) and Streaming Royalties for Songwriters If you have songs on Spotify, Apple Music, or Amazon Music in the U. S, you likely have mechanical royalties that the Mechanical Licensing Collective can pay.