SESAC
The third-largest US PRO (after ASCAP and BMI), notable for being a for-profit, invitation-only organization. SESAC licenses the public performance of its affiliate songwriters' compositions and distributes royalties. It is owned by SESAC Holdings Inc.
Articles about SESAC
ASCAP vs BMI vs SESAC: Which PRO Should You Join?
Choosing the right PRO can change how much you earn from performances and how reliably you collect international and streaming royalties. In this ASCAP vs BMI vs SESAC comparison we break down membership rules, payout mechanics, switching logistics, and what each organization actually collects so you can pick the one that fits your career.
ASCAP vs. BMI vs. SESAC: Which Performance Rights Organization is Right for You?
Joining SESAC, known for exclusive invitation-only membership, is to being part of an elite club within the realm of performance rights organizations . This music rights agency prides itself on offering personalized service and a unique boutique experience that larger organizations may struggle to provide.
How to Register Your Songs With a Performing Rights Organization Step by Step
Knowing how to register songs with a PRO is the single most effective step an independent writer can take to start collecting public performance royalties . This concise, step-by-step guide shows exactly what metadata to gather, how to set writer and publisher splits, when to register recordings with SoundExchange or neighbor rights societies, and how to verify and correct registrations so you do not lose revenue.
How to Collect Every Royalty You're Owed as an Independent Musician
If you release your own music, you are probably leaving money on the table. This practical playbook shows how to collect music royalties at every step — from a catalog audit and correct metadata to registering with PROs, SoundExchange, and mechanical and neighboring rights societies, plus how to file retroactive claims.
SoundExchange vs PRO: Understanding the Difference and Why You Need Both
Most independent musicians and small labels leave streaming and radio money on the table because they confuse who collects what. This guide breaks down SoundExchange vs PRO so you can see exactly which organization handles sound recording versus composition royalties and gives step-by-step registration actions for artists, session players, producers, and rights owners.
How to Set Up Music Publishing Admin as an Independent Artist
Setting up music publishing admin is the difference between leaving money on the table and collecting the royalties your songs earn worldwide. This guide gives a step-by-step checklist to prepare your catalog, register with PROs and mechanical rights bodies, lock in co-writer splits, and choose between DIY administration or a third-party publishing administrator.
Mechanical Royalty Rates Explained: How Much Are You Actually Owed?
If you write songs or manage catalogs, understanding the mechanical royalties rate determines how much composition income you should expect. This FAQ pulls the exact numbers, explains when the US statutory rate applies versus negotiated or streaming arrangements, and walks through step-by-step calculations for downloads, physical sales, and realistic streaming estimates.
publishing royalties vs mechanical royalties
Publishing Royalties vs Mechanical Royalties If you released a piece of music on Spotify or Apple Music, there is a strong chance you are owed multiple types of music royalties from different collecting societies. The music industry splits how royalties are paid by how the music is used.
Music Publishing Administration: The Complete Guide for Independent Artists
If you write and release music independently, publishing administration determines whether you actually collect the composition royalties you earned or leave them unclaimed abroad. This guide gives independent artists a step-by-step roadmap to register compositions correctly, manage splits and metadata, sign up with PROs, The MLC and SoundExchange, and choose between DIY, admin platforms, or traditional publishers.