SACEM
Société des Auteurs, Compositeurs et Éditeurs de Musique — the French CMO responsible for collecting and distributing performance and mechanical royalties for its members. SACEM is one of the largest CMOs in Europe and has reciprocal agreements with societies worldwide.
Artigos sobre SACEM
How to collect COSON Nigeria music royalties and international earnings through collection societies
African artists routinely miss international royalties because they lack direct relationships with foreign collection societies. A single membership in your home CMO like COSON Nigeria unlocks collection across 120+ territories through reciprocal agreements.
Publishing Glossary Music Terms: Every Term Independent Artists Need to Know
Music publishing terminology is deliberately opaque, designed by an industry that profits from confusion. This glossary translates the language of royalties, rights, and revenue streams into plain terms independent artists can use to get paid correctly.
How Social Media Music Marketing Royalties Generate Income Artists Are Missing
TikTok, Instagram Reels, YouTube Shorts, and Facebook generate performance, mechanical, and sync licensing royalties that most independent artists never collect. Billions in social media music marketing royalties sit unclaimed with CMOs worldwide because creators don't register works correctly or understand which platforms trigger which rights.
How to Register Your Music Copyright in the US and Internationally
How to register copyright music for your songs and recordings matters more than many artists realize, since registration creates a public ownership record and unlocks legal remedies and revenue streams. This practical, step by step guide explains which US Copyright Office forms to file for compositions and masters, how to register with PROs and SoundExchange, and the metadata, ISRC, and ISWC steps that actually get you paid internationally.
Every Way to Earn Music Royalties as an Independent Artist
As an independent artist, understanding the different ways to earn music royalties separates missed income from real revenue. This checklist walks through eight distinct royalty streams, who collects them, realistic earning examples, and three concrete steps to start collecting each one, with international registration tips and services to compare.
Why Your Music Distribution Royalties Don't Match Your Streams
If your streams look healthy but the money never arrives, you are facing music distribution royalties not paid, a common and solvable problem for independent artists and small labels. This article explains why stream counts do not equal payable royalties, offers a practical step-by-step audit you can run in Spotify for Artists, Apple Music for Artists and your distributor dashboard, and shows who to contact and how to recover unpaid royalties.
The Top Collection Societies Every International Artist Should Know About
Releasing music globally means plays and broadcasts get logged in dozens of territories — and most creators leave money on the table by not registering with the right collecting bodies. This guide lists the music royalty collection societies worldwide that matter, explains what each actually collects, who should register, and gives practical next steps to claim royalties across borders.
CD Baby Pro vs UniteSync: Which Collects Your Publishing Royalties?
Navigating the complex world of music publishing royalties can be daunting for independent artists and songwriters. This article will clarify the key differences between CD Baby Pro and UniteSync, helping you understand which service is best suited to collect your valuable composition royalties in the context of a CD Baby review.
Kobalt vs UniteSync: Publishing Administration for Independent Artists
Kobalt vs UniteSync: Publishing Administration for Independent Artists Navigating the complex world of music publishing administration can be a daunting task for independent artists and songwriters. This article offers a balanced comparison between two prominent entities in the publishing landscape, Kobalt and UniteSync, outlining their core differences, target audiences, and operational models to help you make an informed decision about your music’s future.