APRA AMCOS
The combined Australian and New Zealand CMO formed by the merger of APRA (Australasian Performing Right Association) and AMCOS. It administers both performance and mechanical rights across Australasia and has a large international reciprocal network.
Articles sur APRA AMCOS
Neighbouring Rights in Music: The Complete Guide to Earning More Royalties
Neighbouring rights are one of the most overlooked revenue streams for recorded-music professionals, yet they can be a steady source of payments when claimed correctly. This guide gives a practical, territory-by-territory playbook for who benefits, which collecting societies pay, what metadata and documents you need, and exactly how to register, submit retroactive claims , and audit distributions.
Collection Societies Explained: How They Work and Why Every Artist Needs One
For creators, collection societies music and performing rights organizations are the plumbing that converts plays, broadcasts and streams into actual payments. This guide maps which rights each society collects, the exact registrations and identifiers you must fix to stop royalty leakage, and practical next steps - including when to run an audit or bring in a recovery service - so you get paid what you earned.
Top 10 Ways to Maximize Your Music Royalties
If your catalog is leaving money on the table, it is usually down to metadata gaps, missing society registrations, or misdocumented splits. This practical music publishing checklist lays out ten high-impact, step-by-step actions, from registering with societies and standardizing DDEX metadata to claiming mechanicals and enrolling in Content ID, so you can increase and secure royalties across territories and revenue streams.
ISWC Numbers: The International Standard for Music Works Identification
ISWC Numbers: The International Standard for Music Works Identification Article Overview Article Type: Informational Primary Goal: Explain what ISWC music identifier is, how it is structured and assigned, how it is used across publishing and royalty systems, common operational problems, and clear implementation guidance for publishers, developers, researchers, and rights administrators. Who is the reader: Researchers, music publishers, rights administrators, collection society staff, metadata engineers, catalog managers, and developers working on music rights and royalty systems who need precise, actionable information about music work identifiers.
Performance Royalties: The Complete Guide to Getting Paid When Your Music Plays
Performance Royalties: The Complete Guide to Getting Paid When Your Music Plays Understanding Performance Royalties in the Music Industry Think you can just toss your music onto streaming platforms and watch the cash roll in? Think again!