BMI
Broadcast Music, Inc. — one of the three main US PROs. BMI collects and distributes performance royalties for songwriters, composers, and publishers. It is a non-profit organization competing with ASCAP and SESAC in the US market.
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ASCAP vs BMI vs SESAC: Which PRO Should You Join?
Choosing the right PRO can change how much you earn from performances and how reliably you collect international and streaming royalties. In this ASCAP vs BMI vs SESAC comparison we break down membership rules, payout mechanics, switching logistics, and what each organization actually collects so you can pick the one that fits your career.
ASCAP vs. BMI vs. SESAC: Which Performance Rights Organization is Right for You?
Joining SESAC, known for exclusive invitation-only membership, is to being part of an elite club within the realm of performance rights organizations . This music rights agency prides itself on offering personalized service and a unique boutique experience that larger organizations may struggle to provide.
How to collect COSON Nigeria music royalties and international earnings through collection societies
African artists routinely miss international royalties because they lack direct relationships with foreign collection societies. A single membership in your home CMO like COSON Nigeria unlocks collection across 120+ territories through reciprocal agreements.
Publishing Glossary Music Terms: Every Term Independent Artists Need to Know
Music publishing terminology is deliberately opaque, designed by an industry that profits from confusion. This glossary translates the language of royalties, rights, and revenue streams into plain terms independent artists can use to get paid correctly.
How Social Media Music Marketing Royalties Generate Income Artists Are Missing
TikTok, Instagram Reels, YouTube Shorts, and Facebook generate performance, mechanical, and sync licensing royalties that most independent artists never collect. Billions in social media music marketing royalties sit unclaimed with CMOs worldwide because creators don't register works correctly or understand which platforms trigger which rights.
Music Copyright vs Trademark: What's the Difference and Do You Need Both?
Confused about music copyright vs trademark and which one you actually need? This article cuts through the overlap and explains what each protects, how registration works, typical costs and timelines, and the real-world consequences for streaming, sync and merchandise.
How Performance Royalties Work: A Deep Dive for Independent Artists
Performance royalties explained - a practical FAQ for independent artists who want to stop leaving money on the table. This guide lays out who gets paid for compositions versus recordings, which collecting societies handle each right, and the exact registration and metadata steps (ISWC, ISRC, IPI) you need to ensure plays are matched and paid.
What Are Neighbouring Rights in Music? Everything Artists and Labels Need to Know
If you've wondered what is neighbouring rights music and why performers and labels sometimes get separate checks from songwriters and publishers, this FAQ cuts through the confusion. It explains who neighbouring rights protect, how collections work across key territories, the essential metadata and registration steps that actually matter, realistic revenue expectations, and practical next steps to claim unpaid royalties.
Top Music Publishing Administration Platforms Compared: Features, Fees and Payouts
If you are an independent songwriter, producer or small label deciding where to place your catalog, this music publishing platform comparison cuts through marketing claims to the mechanics that actually move money. You will get a side by side look at fee models, payout mechanics, territory coverage, metadata and split management, and sync support - so you can pick the platform that maximizes collections and reduces revenue leakage.