Performance right
The exclusive right of a copyright owner to authorize or prohibit the public performance of their musical composition — including broadcasts on radio and TV, live performances, streaming on non-interactive services, and playback in public venues. Performance rights are administered by PROs.
Artigos sobre Performance right
ASCAP vs. BMI vs. SESAC: Which Performance Rights Organization is Right for You?
Joining SESAC, known for exclusive invitation-only membership, is to being part of an elite club within the realm of performance rights organizations . This music rights agency prides itself on offering personalized service and a unique boutique experience that larger organizations may struggle to provide.
SOCAN vs ASCAP: Which PRO Is Right for You?
Deciding between SOCAN vs ASCAP determines where and how your performance royalties are collected and paid. This SOCAN vs ASCAP comparison walks through eligibility, territorial scope, what each PRO does and does not collect, registration and split workflows, payout mechanics, and the metadata mistakes that cause missing royalties.
PRS vs PPL: Understanding the Difference for UK Artists
If you release recorded music in the UK, a single radio play or stream can generate two separate payments - one for the song and one for the recording. PRS vs PPL neighbouring rights determine who gets paid for each, and this article lays out exactly what PRS collects, what PPL collects, and the registration steps you need to claim both.
How to Start a Rap Career With No Label, No Budget and No Connections
This guide shows how to start a rap career with no label, no budget, and no connections, laying out a realistic 90-day roadmap and specific tasks you can execute using free and low-cost tools. You will get step-by-step instructions for writing, recording, releasing, promoting, and registering your music, plus checklists and measurable milestones that take you from first demo to your first paying gig or streaming traction.
How to Land a Sync License for Your Music in Film and TV
Landing a placement in film or TV can deliver a meaningful sync fee and a big visibility boost, but most opportunities stall because rights are unclear or assets are poorly packaged. This practical guide shows how to get a sync license step-by-step: which rights to clear, the exact files and metadata supervisors expect, where to pitch, negotiation musts, and how to collect every fee and performance royalty after a placement.
How to Calculate the Royalties You're Owed From Streams and Broadcasts
If you need to know how to calculate music royalties from streams and broadcasts, this guide gives the step-by-step formulas and real examples you can apply to your songs, playlists, and catalogs. You will learn to separate master, mechanical, and performance income, pull the exact inputs from DSP and collection society reports, and convert streams and audience impressions into expected dollar amounts across major territories.
Best Music Licensing Platforms for Getting Your Songs Placed
Getting songs placed is about choosing the right music licensing platforms and presenting tracks the way music supervisors actually use them. This list compares seven leading services — from high-volume marketplaces to curated publishers — and breaks down reach, submission models, rights, and realistic monetization.
All the Income Streams a Music Publisher Can Unlock for You
Music publishing income streams are messy and fragmented, and most independent songwriters only access a fraction of what they are owed. This list breaks down the seven income types a publisher can unlock, names who collects each payment, gives concrete examples, and leaves you with practical next steps to start claiming royalties.
Why Your Sync Placements Aren't Paying What They Should
If your sync placements are earning far less than they should, you are probably losing sync royalties without realizing where the leaks are. This practical guide shows the exact diagnostic checklist and remediation lanes you can run now — metadata and ownership fixes, cue sheet and usage reporting, and PRO and neighboring rights reclamation.