CISAC
The International Confederation of Societies of Authors and Composers — the international umbrella body for CMOs worldwide. CISAC sets standards for work registration (including CWR), administers CIS-Net, and promotes best practices in copyright management.
Articoli su CISAC
Signed Up With the Wrong PRO? Here's How It's Costing You Money
Signed up with the wrong PRO affiliation and wondering what it is costing you? Misaligned registrations and incorrect PRO membership can divert composition, neighboring, and digital performance royalties away from you or leave payments unmatched in society accounts.
The Top Collection Societies Every International Artist Should Know About
Releasing music globally means plays and broadcasts get logged in dozens of territories — and most creators leave money on the table by not registering with the right collecting bodies. This guide lists the music royalty collection societies worldwide that matter, explains what each actually collects, who should register, and gives practical next steps to claim royalties across borders.
Millions in Music Royalties Go Unclaimed Every Year — Is Yours One of Them?
Millions sit in accounts labeled unclaimed music royalties each year because bad metadata, split errors, and cross-border gaps hide rightful owners from collecting societies and platforms. This article shows exactly where to look, the databases and documents that matter, and a short audit you can run in an afternoon — plus realistic choices for DIY recovery or using a specialist.
Music Publishing Administrator vs Full Publisher: Which Is Right for You?
Music publishing administrator vs publisher is the core decision that determines whether you keep copyright and pay an admin fee or trade a publisher share for advances, active exploitation, and broader pitching. This article breaks down the legal differences, typical fees and splits, who collects which royalties, and the contract red flags to watch so you can choose based on catalog size, career stage, and income goals.
ASCAP vs BMI vs SESAC: Which PRO Should You Join?
Choosing the right PRO can change how much you earn from performances and how reliably you collect international and streaming royalties. In this ASCAP vs BMI vs SESAC comparison we break down membership rules, payout mechanics, switching logistics, and what each organization actually collects so you can pick the one that fits your career.
Music Royalty Auditing: The Complete Guide to Finding Lost Earnings
If you suspect streams and performances are producing less cash than they should, royalty auditing music is the process that finds the gaps and turns them into recoverable earnings. This guide provides a practical, step-by-step workflow: what data to collect, how to reconcile DSP, distributor and PRO statements, common metadata failures to watch for, and the claim evidence you will need to recover funds.
How an Independent Songwriter Recovered $12,000 in Unclaimed Publishing Royalties
This music publishing company case study shows how an independent songwriter recovered $12,000 in unclaimed publishing royalties after a nine month audit and claims process. You will get a step by step playbook: how the audit uncovered unmatched mechanical and foreign distributions, which documents proved authorship, and exactly how claims were filed with The MLC, SoundExchange, and overseas collecting societies.
Neighbouring Rights FAQ: What They Are, Who Qualifies and How to Claim Them
This neighbouring rights FAQ explains what neighbouring rights are, how they differ from composition copyright, who typically qualifies as a performer or phonogram producer, and which uses generate payable royalties. You will get short, AI-friendly answers and practical next steps, including a document checklist, territory notes for the UK, EU, US, Canada and Australia, and the collecting societies to contact so you can register or file a claim.
How a Session Musician Started Earning Neighbouring Rights Royalties They Never Knew Existed
When UniteSync audited session credits for Anonymized Client Alex Reed they uncovered neighbouring rights royalties across multiple territories the musician did not know existed. This neighbouring rights case study shows how we identified eligible recordings, compiled session logs, ISRCs and public credit links, registered claims with societies such as PPL and Adami, and recovered anonymized back payments plus ongoing monthly distributions.